Sunday, November 19, 2017

S.W.A.T. Means "Pamilya"

....And "pamilya" means "family."

Last week, we learned more about newbie Jim Street's background. His mom, Karen, is serving a prison sentence for killing Street's abusive father. She had made numerous domestic violence calls; nothing was done. She unsuccessfully argued self-defense, after which Street wound up in foster care.

This episode opens with Luca blasting Motley Crue's "Kick-start My Heart" as he cruises down the road in Black Betty (AKA the S.W.A.T. truck). The team is on their way to Venice Beach to take down a heroin dealer. Tan shows everyone a picture of Luca curled up on a couch, using his SWAT jacket as a blanket and surrounded by suitcases. "Not again," Chris comments. Hondo isn't thrilled about "Sleeping Beauty" living in the break room, but there's more pressing matters at hand.

The raid at the heroin house nets a surprise for the team: roughly 10 terrified Filipinos locked in a back room. Hostage Javier has a serviceable knowledge of English. Before he can say much, Javier starts foaming at the mouth and keels over from a heroin overdose. Hondo is able to give him Narcan and get him to the hospital.

Father Guzman, a Filipino priest, cautions Hondo that the survivors probably won't talk to the police, even though they aren't illegals. The hostages from the house are all licensed nurses with green cards. Hondo guesses they were forced to swallow balloons of heroin to cover the cost of airfare.

A homicide detective is also interested in the case. He's working the unsolved murders of several Filipino nurses who were found gutted. They were probably killed because they couldn't pass the drugs. The murder victims and the near-misses from the house all had their green cards sponsored by the same employment agency, which recruits staff for local nursing homes.

Street goes to visit his mom (played by Sherilyn Fenn) in prison. Last time I saw her was on the original 21 Jump Street, trying to solicit Johnny Depp to kill her dad for molesting her. Karen has a favor to ask of her little Jimmy. Her friend Deidra is getting out of prison next week and will probably stay with her abusive ex. Can Street warn the guy to stay away? He agrees to help Deidra.

There's trouble in paradise for Luca. His third girlfriend in as many years kicked him out of their apartment, hence his sleeping at work. Street snarks, "So you break up and the girls get your apartment? You need a new lawyer." A thoroughly un-amused Luca pleads to his teammates for a place to crash, but they all have their reasons for saying no:
  • Tan took him in following the last breakup, during which time Luca ran up his grocery delivery bill.
  • Deacon has a new baby. Also, on another occasion Luca slept over, he let Deacon's son stay up all night playing video games; the kid was too tired to go to school the next day.
  • Luca ate all the food in Chris's fridge.
  • Hondo needs his sleep and lovingly describes Luca as "a frat boy his first day away from home."
Luca is upset with them, seeing their refusal as breaking SWAT code, a more sacred version of bro code. As a third-generation SWAT legacy, he takes tradition seriously. Luca is this show's "married to the job" cop, never wanting to settle down with anyone. It's not his fault the girls don't heed his warning.

Street's visit to Deidra's ex (a bad Channing Tatum knockoff named Trey) doesn't go as planned. He's still in uniform and Trey takes his picture. Things get heated and punches are thrown. Street ends up with a black eye and in handcuffs. Fortunately, the uniforms call Hondo as a professional courtesy so Street won't lose his job.

Street explains the ass-kicking was a favor to his mom's friend; he didn't feel like he could say no. Hondo advises him to choose a path: SWAT officer or loose cannon.

Hondo learns more about the drug traffickers. They'd force the nurses to swallow heroin in the Philippines, kidnap said nurse's family member, and have that person swallow heroin too. Both groups were threatened with their loved one's death if anyone talked to the police. Javier was just trying to get his son back.

The culprits behind the heroin muling operation turn out to be the nursing agency's owner and his Filipina wife. Both initially expressed horror, plead ignorance about the drugs, and swore they would never be involved with exploiting Filipinos. The SWAT team intercepts the couple before they flee the country on their private plane. They also rescue Javier's son Paul and the other hostages from a locked shipping container.

Hondo is disappointed in Street's conduct. He tells the rookie he's not getting off without punishment. His sentence? Rooming with Luca until the big guy finds another place to live. Luca is all grins, excitedly chattering about teaching Street to surf and kicking his ass at PlayStation. "We're gonna sleep at some point, right?" the rookie asks worriedly. I wouldn't bet on it...

Hondo visits Mama Street in jail and lets her know how badly her little "favor" could've screwed up Street's career. He found out Deidra's story about Trey the abusive shithead was a lie. Karen's real concern was Deidra could horn in on her turf of smuggling and selling contraband in the jail. Hondo doesn't appreciate Mama Street taking advantage of her kindhearted son.

Shemar Moore always plays the kind of guy who sees himself as a big brother to his younger, more vulnerable team members. Hondo fits in that category, especially when he issues a stern warning to Mama Street: "You mess with him, you mess with me. My family."

Friday, November 3, 2017

Rolling With "S.W.A.T."

This concept has had a couple of iterations over the years: a TV series that only lasted from 1975 to 1976 and an early 2000's movie starring Colin Farrell and Samuel L. Jackson. (I really like both those actors, but that was a resounding "meh" for me).

This show has really been hyped by CBS because it features headliner Shemar Moore of Criminal Minds fame. He's definitely talented, but longtime readers of this blog know who my favorite star is: Kenny Johnson. Add The Shield showrunner Shawn Ryan into the mix and it's a recipe for success.

With much anticipation, I sat down with a bowl of popcorn to watch this week's premiere episode.

The show opens with LAPD's SWAT team involved in a high-speed chase. The bad guys they're pursuing abandon their vehicle and attempt to carjack a family. In the process of saving them, a black teenager gets caught in the crossfire. He is seriously wounded by team leader Buck.

The consequences are swift. The next morning, a televised press conference is held and Buck is removed from the team. Next in line for his position is David "Deacon" Kay (Jay Harrington). However, due to the racial nature of the shooting, Daniel "Hondo" Harrelson (Shemar Moore) is promoted to team lead. Hondo protests his colleague being passed over, but is told he's running the team whether he wants to or not.

The rest of Hondo's team consists of driver Luca (Kenny Johnson), K-9 handler/token female Chris (Lina Esco), and new recruit Jim Street (Alex Russell). (He looks so young I'm surprised they don't call him 21 Jump Street). We learn that Street isn't the greatest team player. Chris is in the process of finding a new four-legged partner, as her last one has retired due to hip problems. Luca remains a muscular mystery.

During a community rally, two white people are shot as retaliation for what happened to the teenager. Racial tensions escalate and it's up to Hondo and the team to defuse the situation.

I appreciate that the pilot didn't go straight into info-dump mode. It just scratched the surface of most of the characters, letting us see how they work as a team.

The character we know most about so far is Hondo, who faces the pressure of bridging two worlds. As a resident of his old neighborhood asked, "Are you black or blue?" He also has a forbidden romance with their captain, Jessica. Baby Girls in the audience will appreciate the shirtless boxing scene and steamy shower romp. (The episode also features Kenny Johnson boxing in a muscle shirt and arm-wrestling Street).

Like its predecessor The ShieldS.W.A.T. mixes action with a dose of humor. A group of women in a beauty shop watch as the SWAT Team strolls in to chat up one of the stylists. The parade of gorgeous men causes one woman to remark, "One for each of us." Chris appears at the tail end of the line, so another patron adds, "And one for Denise."

I definitely enjoyed it and will be a faithful viewer.

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Wednesday, November 1, 2017

Top 10 Quotes: "The Frighteners"

Wow, have I neglected this blog! Life as a new nurse has gotten in the way. Coming back with this slightly late Halloween-themed post.


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1. Milton: You are violating my territorial bubble!

2. Cyrus: I could complain too, ya know. I would like some new clothes. You get to dress nice. Here I am still looking like Linc from The Mod Squad.
Frank: You died in the '70s. It's a bummer.

3. Ray: (after Frank runs over one of his lawn gnomes) My Budzo! I've got your license plate number, you bastard!

4. Cyrus: Ah, the old express bus to hell. No lines, no waiting.

5. Ray: I'm gonna sue your ass!
Frank: Let's not get litigious, all right? Send me a bill.
Ray: (reads Frank's business card) "Frank Bannister, Psychic Investigator"? How come you couldn't see the corner coming?

6. Old Lady Bradley: You don't know who my daughter is, do you? Patricia's not to be trusted.
Lucy: I beg your pardon?
Old Lady Bradley: I can have her locked up any time I want. They said she was an accessory after the fact. I know the truth. It was cold...blooded...murder.

7. Lucy: (sees young Patricia in a documentary about the Fairwater Sanatorium murders) That's her! I was in her house this afternoon.
Ray: Oh, that's terrific, honey. We've been in town for 3 months and you're making friends with the Manson family.

8. Judge: When a man's jawbone drops off, it's time to reassess the situation.

9. Frank: Persistent residue of the departed. Always a problem this time of year.

10. Ray: They shoulda fried her when they fried Bartlett.
Lucy: She was fifteen years old. You know, she just fell in love with the wrong guy. (pointed look) Could happen to anyone.